Sunday, November 30, 2025

Official ZB press release on Kiffin to LSU

 




Official ZB press release on Kiffin to LSU:


I’m pumped to get Kiffin. He’s a great coach and I think him combined with the resources of LSU could be a lethal combo for years (God willing even decades) to come.

It's definitely fucked that he left Ole Miss like this. But at the end of the day it’s a contract business. And he sees this opening at LSU as a once-in-a-lifetime opportunity. Which it is. The resources and talent tree in Louisiana is insane. He will be tripping over 5 star talent in Baton Rouge. Mississippi has talent for sure, but not like LA. And a lot of local boys leave MS to go to out of state SEC schools. Louisiana / LSU prospect retention is second to none. And I bet that’s what Saban told Lane when they talked on the phone the other day.

Ultimately Lane is sacrificing this one season with Ole Miss for the chance to have many more seasons like it at LSU. If he doesn’t go for LSU now, he may never get a chance again. And unfortunately for Ole Miss this is how the cards fell.

And a big reason the cards fell this way is because the transfer portal window starts before the CFP is even over. Kiffin is doing this now because him and his new staff at LSU need to compete in the portal. The same can be said on the flip side with Ole Miss. They need to get a jump on their new era asap as well. If both teams stall, then they will 100% lose out on players coming in. Making year 1 way more of a challenge. All sides' hands were forced here.

Kiffin is operating within the NCAA's system that they set up. The transfer portal shouldn’t open while the season is still going on. It makes no sense. Push it back to Feb or March and then coaches (and players) won’t abandon their teams like this. Hopefully the NCAA tweaks this in the near future. They have a lot to look at when it comes to transfer portal, it's a fucking mess. But that doesn't really matter at this point. LSU got their man, and Ole Miss got burned. Sometimes sports and business can be a bitch of a combination.



Thank you for your time.

Geaux Tigers 🐅

-ZB


Thursday, November 20, 2025

NYC November 2025: King Baby & the Bus 11 Boyz


Highlights from a recent trip to New York City from Boston. We took the Greyhound bus to and fro.




Leaving Union Station (Hartford, Connecticut)




Time Square





Subway to Borough Park (Contemplation)




Chester Avenue (Borough Park, Brooklyn)




Statue of Death (Green-Wood Cemetery)




The Grave of Jean-Michel Basquiat





The Arrival of King Baby




I hear my train a-comin'






Do not hold doors



In the Presence of King Baby (photo cred Uncle Clam)





Brooklyn Flea



Where Brooklyn (Bridge) at?



Manhattan Bridge




Lower Manhattan #1 (Lady Liberty in the distance)




Moth & Unc on the Brooklyn Bridge




Lower Manhattan #2 (a ferry putts by)





Unc captures Midtown




唐人街 (hustle & bustle)




Moth & Unc in Little Italy #1




Little Italy




Moth & Unc in Little Italy #2




9/11 Memorial Pools (where the towers once stood - Never Forget ❤️ 🙏 🇺🇸 )




One World Trade Center




Washington Arch (Washington Square)





FREE CUSTOM RAP DEDICATIONS (shoutout Harry Mack)




New York on My Mind (photo cred Moth Kinsman)





Subway to Downtown Brooklyn (Reflection)





The Bus 11 Boyz



Cindy Lee at the Brooklyn Paramount - 11/15/2025



after the show in Downtown Brooklyn




Family ❤️ LOL




industrial alleyway (barbed wire fence / graffiti truck)




A Farewell to King Baby




My cozy little nook (boys night)




Godzilla Meditations #1




Godzilla Meditations #2




Midtown sky





Bazaar (Keychain prowlers)




W 76th Street (Upper West Side, Manhattan)




Strawberry Fields Forever 🍓 🎵 (eyes open)








Central Park




gazing at Intrepid




A final look from the Bronx (smudge)





Bus ride to Boston (Resolution)






Dark Highway (Massachusetts fin)





"Every street has a story, and these are but just a few." - Gregg Turkington (movie buff)

Thanks for taking a peep. 

Until next time 🙏

- ZB James








Sunday, November 2, 2025

Portrait of a Lady on Fire


I recently watched the film Portrait of a Lady on Fire and wanted to share a brief review. My thoughts are below:


Very powerful forbidden love film. The pace is slow, and the dialogue is economical. Making each word said all the more important and impactful. 

The performances by both lead women are phenomenal. The scene where they both cry and kiss on the beach as they realize their time together is coming to an end is heartbreaking. It speaks to the many ways in which cultures can suppress sexuality and love. These women should have been able to explore their love for one another further than they did, but it was not allowed in that culture / society. The economic well-being of Héloïse's family depended upon her marrying into another noble family. Life's realities blow sometimes, and this movie is a sad-yet-beautiful snapshot into one of those tragic situations people can find themselves in over the course of their lives. 

The complex interwoven relationships between culture, power, and social hierarchy are all felt in the scenes where these women are forced to do things they don't want to do. It's also felt in the maid's subplot where she has become pregnant and has to get an abortion secretly. The message seems to be about how people should be able to love each other no matter what sex or gender they are. And that we as people should not turn away from the difficult things that happen in our lives. Which is a message that is driven home in the abortion scene where they girls force themselves to watch, and then paint the scene in a recreation later. 

But I also think it's just a great story, beyond the lesbian themes. The subtle moments that come back in the final two instances where Marianne sees Héloïse really bring the movie and story home so well. And the last scene where Héloïse is visibly moved at the orchestra is such a powerful way to close. Great stories tie themselves together in the end, and that's what this film did. It makes anyone watching think back to that person that they had a brief-yet-passionate romantic fling with. Whether gay, or straight, or lesbian, or gender-fluid, or whatever. 

Sometimes we encounter people in our lives that we want to be with, but just can't. For all sorts of reasons. And this movie hits that heartstring with a loud and sustaining note.


- ZB

Sunday, June 8, 2025

Why Sports Matter


The final out of the 2004 World Series. When the Red Sox broke the 86 year Curse of the Bambino and finally won a title again.

I watched this with my Dad. I was 11 years old, and we were the only two in the house who stayed up to witness it. It's burned in my memory. Sitting on the old couch in my living room, staring at the big TV in the corner, watching the emotion in my Dad's eyes as we shared the moment together.

I think it's the most cherished sporting event that I've ever witnessed in my life. And is a core memory I have with my Dad. The next day we drove to his own Dad's gravesite and laid the Boston Globe onto his headstone. And now my Dad's ashes lie there with my Grandfather in that same graveyard.

To me, that moment encapsulates why sports matter to us as people. It's family. It's community. It's history. It's tradition. It's suffering. It's adversity. It's defeat. It's triumph. It's memory. It's a reflection of life itself.

My love of baseball has faded in the last decade or so. But this will forever be a moment in time that I'll hold onto and cherish.

Happy Birthday Dad. You're right next to me when I watch this.

-ZB

Friday, January 17, 2025

Thoughts on David Lynch

 


RIP to one of my favorite artists that I've ever come across. There are very few artists that genuinely blew my mind when I first discovered them. The Beatles, Picasso, Jack Kerouac, Jimi Hendrix, Pink Floyd. The list is incredibly short. And David Lynch was certainly one of them.

I haven't seen all of his movies, but I've seen a good amount of them. And should probably brush up on his work, as one does in the wake of a legend's passing. But his works that I have seen all left a massive impact on me. They stay with you for days, weeks, years. They make you think deeply. Mulholland Drive has stayed with me ever since I first saw it back in high school. It's probably my favorite movie of all time.

The fact that he never gave his own personal interpretation / meaning to Mulholland Drive profoundly impacted the way I thought about art. He took film - a medium that has always coddled the viewer with explanation and narrative conclusion - and totally upended it. It's dreamlike. It's nightmarish. It's surrealism in moving form. And like a great painter from the cubist or surrealist era, all he shares is the image. The rest is up to the viewer to decide.

Our perceptions are our own, and our relationship to art (in any form) and how we interpret it is a precious gift. Lynch wanted to keep that relationship pure with his art, and I've always admired that about him. He didn't want to rob the viewer of their own ability to think critically. He believed in other humans' and their intelligence. Whatever a viewer decides the meaning is is the meaning. That's a truly beautiful thing.

Cheers to a true legend. He died as the LA wildfires rage across his home city. A scene that's produced it's own nightmarish surrealism. What a disturbing and fitting way to go.


- ZB James

Monday, October 14, 2024

Columbus Day / Indigenous People's Day 2024

 



Happy second Monday of October. Call it whatever you want. I think the most important part of this day is to maybe try and learn something new about history, or brush up on a subject you once knew well. Try to better understand an event, or a person, or an era on both sides of the colonizer / colonized spectrum. Don't try to erase one or the other, but instead sort through the pieces of the puzzle and come to your own conclusions. Your constitution is your own. Let your research guide you. Let your heart be your compass.

I am merely posting today to share some places where I've learned something new myself. And hope that maybe someone reading this might find something new and could perhaps be enlightened in some sort of way.

For the Columbus side of the day, I enjoyed listening to this four-part podcast series on his life and legacy back when it came out last year. I'm a huge fan of The Rest Is History podcast and think that hosts Tom Holland and Dominic Sandbrook are top tier pop history figures. The links are below:









As for the Indigenous side of the day, I recently read a book called Black Elk Speaks which I highly recommend. It is about an Oglala Lakota medicine man, who orally tells his story to writer John Neihardt. Neihardt transcribed it and published it back in the early 1930s. It's kind of a slog at times, but it's cool to get a first-hand account of Black Elk's life and the lives and rituals of the Lakota people during that time period. I also very much like the prayer that Black Elk shares at the beginning of the book:

"With visible breath I am walking.
A voice I am sending as I walk.
In a sacred manner I am walking.
With visible tracks I am walking.
In a sacred manner I walk"

He also shares this one a couple paragraphs later:

Hear me, four quarters of the world - a relative I am! Give me the strength to walk the soft earth, a relative to all that is! Give me the eyes to see and the strength to understand, that I may be like you. With your power only can I face the winds.

Great Spirit, Great Spirit, my Grandfather, all over the earth the faces of living things are all alike. With tenderness have these come up out of the ground. Look upon these faces of children without number and with children in their arms, that they may face the winds and walk the good road to the day of quiet.

This is my prayer; hear me! The voice I have sent is weak, yet with earnestness I have sent it. Hear me! It is finished. Hetchetu aloh!

- Black Elk

I also have been enjoying the book The Great Plains by Ian Frazier, which is an account of the writer's travels across that stretch of America over the years (it's a collection of essays). I haven't read all of it (yet). Just snippets and chapters here and there. There's a chapter on Crazy Horse that's incredibly profound. If you're to do one thing today, I'd say learn about Crazy Horse - both his life and his death. What an interesting and important character he was. The passage Ian Frazier writes at the end of the chapter, on the death of Crazy Horse, is especially moving:

Some, both Indian and non-Indian, regard [Crazy Horse] with a reverence which borders on the holy. Others do not get the point at all. George Hyde, who has written perhaps the best books about the western Sioux, says of the admirers of Crazy Horse. "They depict Crazy Horse as the kind of being never seen on earth: a genius in war, yet a lover of peace; a statesman, who apparently never thought of the interests of any human being outside his own camp; a dreamer, a mystic, and a kind of Sioux Christ, who was betrayed in the end by his own disciples - Little Big Man, Touch the Clouds... and the rest. One is inclined to ask, what is it all about?"

Personally, I love Crazy Horse because even the most basic outline of his life shows how great he was; because he remained himself from the moment of his birth to the moment he died; because he knew exactly where he wanted to live, and never left; because he may have surrendered, but he was never defeated in battle; because, although he was killed, even the Army admitted he was never captured; because he was so free that he didn't know what a jail looked like; because at the most desperate moment of his life he only cut Little Big Man on the hand; because, unlike many people all over the world, when he met white men he was not diminished by the encounter; because his dislike of the oncoming civilization was prophetic; because the idea of becoming a farmer apparently never crossed his mind; because he didn't end up in the Dry Tortugas; because he never met the President; because he never rode on a train, slept in a boardinghouse, ate at a table; because he never wore a medal or a top hat or any other thing that white men gave him; because he made sure that his wife was safe before going to where he expected to die; because although Indian agents, among themselves, sometimes referred to Red Cloud as "Red" and Spotted Tail as "Spot", they never used a diminutive for him; because, deprived of freedom, power, occupation, culture, trapped in a situation where bravery was invisible, he was still brave; because he fought in self-defense, and took no one with him when he died; because like the rings of Saturn, the carbon atom, and the underwater reef, he belonged to a category of phenomena which our technology had not then advanced far enough to photograph; because no photograph or painting or even sketch of him exists; because he is not the Indian on the nickel, the tobacco pouch, or the apple crate. Crazy Horse was a slim man of medium height with brown hair hanging below his waist and a scar above his lip. Now, in the mind of each person who imagines him, he looks different.

I believe that when Crazy Horse was killed, something more than a man's life was snuffed out. Once, America's size in the imagination was limitless. After Europeans settled and changed it, working from the coasts inland, its size in the imagination shrank. Like the center of a dying fire, the Great Plains held that original vision longest. Just as people finally came to the Great Plains and changed them, so they came to where Crazy Horse lived and killed him. Crazy Horse had the misfortune to live in a place which existed both in reality and in the dreams of people far away; he managed to leave both the real and the imaginary place unbetrayed. What I return to most often when I think of Crazy Horse is the fact that in the adjutant's office he refused to lie on the cot. Mortally wounded, frothing at the mouth, grinding his teeth in pain, he chose the floor instead. What a distance there is between that cot and the floor! On the  cot, he would have been, in some sense, "ours": an object of pity, an accident victim, "the noble red man, the last of his race, etc. etc." But on the floor Crazy Horse was Crazy Horse still. On the floor, he began to hurt as the morphine wore off. On the floor, he remembered Agent Lee, summoned him, forgave him. On the floor, unable to rise, he was guarded by soldiers even then. On the floor, he said goodbye to his father and Touch the Clouds, the last of the thousands that once followed him. And on the floor, still as far from white men as the limitless continent they once dreamed of, he died. Touch the Clouds pulled the blanket over his face: "That is the lodge of Crazy Horse". Lying where he chose, Crazy Horse showed the rest of us where we are standing. With his body, he demonstrated that the floor of an Army office was part of the land, and that the land was still his.

- Ian Frazier 'The Great Plains'

Anyways, that's all I've got for today. Oh, and some photos I took last year that fit the day. Thanks for reading. Photos are below:


'The Closing Era' - a statue outside the Colorado State Capitol in Denver


Columbus statue in Scranton, Pennsylvania



Crazy Horse Monument under construction in Custer County, South Dakota


Model of the Crazy Horse Monument at the site



Todd Bless,
- ZB